postcolonial novels : Border-crossing
The format for options B, C, and A is as follows: World/Novels Typical of that specific universe/book. Because border-crossing is not a feature of postcolonial fiction, Option D stands out from the rest.
The sentence suggests that the books of Indian Ocean were "full of movement, border-crossing and south-south interconnection" and were "outward-looking." They also highlighted aspects of the global south, such as forced migration and slavery. As a result, A and C present relevant aspects of the Indian Ocean Novels World.
On the other hand, postcolonial novels were usually land-focused, inward-looking, and [concerning] national issues. They had nationalism against colonialism. Because of this, choice A is thus an appropriate Theme:Characteristic pairing.
It should be noted, nevertheless, that border-crossing is a feature of the Indian Ocean fiction universe rather than the Postcolonial one. Option B is the odd one out because it isn't a valid combination.
Therefore, the odd pair is option (D): postcolonial novels: Border-crossing.
The statement states that books from the Indian Ocean and mainstream English-language fiction are distinct from one another and take place in distinct universes.
If true, Option B supports the passage's assertion. If accurate, none of the other statements strengthen the passage's argument.
If the Orientalist perception of Africa's cultural coarseness drives the majority of Indian Ocean novels' depictions of the continent, then these works of fiction would be identical to mainstream English-language literature. If accurate, option C thereby undermines the passage's assertion.
According to the text, American and European metropolitan centers have historically served as the backdrop for the majority of mainstream English-language books. If accurate, Option D undermines the passage's assertion.
The passage claims that the portrayal of Africa in the Indian Ocean novels is not idealized. And if Option A is accurate,
Therefore, the correct option is (B): most mainstream English-language novels have historically privileged the Christian, white, male experience of travel and adventure.