Question:

How does Tagore address the issue of women's empowerment in 'Chandalika'?

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Tagore's idea of the “New Woman” (nabina) focuses on internal liberation. True empowerment begins when a woman rejects socially imposed limitations and recognizes her own self-worth.
Updated On: Jun 23, 2026
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Solution and Explanation

Step 1: Contextualizing the Protagonist's Marginalization:
In his dance-drama Chandalika, Rabindranath Tagore introduces Prakriti, an untouchable (Dalit) girl who is marginalized under the intersecting systems of social caste and patriarchal gender norms. Her empowerment is not merely economic but deeply psychological, emotional, and spiritual.

Step 2: Tracing the Catalyst for Internal Awakening:

The turning point occurs when the Buddhist monk Ananda asks Prakriti for water, declaring that all human beings are equal and that her birth is irrelevant. This simple act of acceptance serves as a powerful catalyst, sweeping away her self-negating shame and sparking a deep sense of self-worth and dignity as an individual.

Step 3: Formulating the Concise Academic Answer:

Tagore addresses women's empowerment in Chandalika by focusing on the psychological and spiritual awakening of Prakriti, an outcast girl. By refusing to follow social prejudices, Prakriti asserts her individual identity, agency, and female desires. She moves from a state of quiet, helpless suffering to an active reclamation of her self-worth and human dignity.
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